Michelle Parker
Margery Hannah
Ivory ElizabethThe Red House on Belmont
The red house on Belmont always seemed to be filled with all types of people, some looking to pay respect, some just stopping by, others searching for a hot meal,…
Opinion: The U.N. Named the Crime Yet Missed the Claim
On March 25, the United Nations General Assembly adopted a Ghana-led resolution declaring the trafficking of enslaved Africans and racialized chattel enslavement of Africans the “gravest crime against humanity.” The…
TIFF Review: The Quiet Force of Eleanor the Great
At last year’s Toronto International Film Festival, Eleanor the Great arrived with the kind of pedigree that can invite easy cynicism: Scarlett Johansson’s feature directorial debut, a major star stepping…
Home, as Arrangement: On Black Women Directors, Lineage, and the Global Stage at Sundance
By the time I slipped into the Impact Lounge in Park City, the room had already decided it mattered. There was no casual drifting in and out. People stood shoulder-to-shoulder…
Sundance Crossroads
As the industry globalizes, Sundance redefines its role. Park City, Utah | January 23, 2026 For decades, Sundance Film Festival functioned as the crown jewel of American independent cinema—the place…